American Pie 1999
American Pie
Mimic
Mimic
Actors : Mira Sorvino, Jeremy Northam, Alexander Goodwin, Giancarlo Giannini, Charles S. Dutton
An ultracreepy blend of horror and fantasy (think of it as Beauty and the Bugs) from Mexican director Guillermo del Toro (Cronos) about giant cockroaches in the subway tunnels beneath Manhattan. Like its DNA-altered spawn (the title refers to the way some insects evolve to resemble their predators), Mimic is not your everyday bug picture, but a more poetic (though quite gruesome) sort of film, literally crawling with bizarre, striking images. In this case, the mutant bugs are not the result of evil atomic experiments (as in Them!), but are the unexpected side effect of work done by an entomologist (Mira Sorvino) and her Center for Disease Control officer husband (Jeremy Northam), who, in a last-ditch effort to control a roach-carried disease epidemic that was killing children, released a genetically altered form of sterile cockroaches beneath the city. They stopped the virus, but... Also starring Charles Dutton, Giancarlo Giannini, F. Murray Abraham, and Josh Brolin. --Jim Emerson
I Still Know What You Did Last Summer
I Still Know What You Did Last Summer
Stars: Jennifer Love Hewitt
Jennifer Love Hewitt, Brandy, Freddie Prinze, Jr., and Mekhi Phifer star in the screamer sequel to the blood-chilling box office hit, "I Know What You Did Last Summer." Remember Ben Willis? He's the fisherman who killed the boy who was driving the car when it went off the road in the fatal accidentthat killed his daughter Sara... he's the man in the slicker with a hook in his hand ready to exactbloody justice... well, he's back. It's hard to forget a man who refuses to die.
A Taste of Sunshine 1999 / Sunshine
Sunshine
Actors : Ralph Fiennes, Rosemary Harris, Rachel Weisz, Jennifer Ehle, Deborah Kara Unger
Although Sunshine was made by a Hungarian, István Szabó, and deals with the history of Hungary as refracted through three generations of a Jewish-Hungarian family, you might be more inclined to give it three hours of your own life if you approach it as a David Lean movie in spirit. It is an English-language picture, and Maurice Jarre's music recalls his score for Doctor Zhivago. Szabó emulates Lean's intimate-epic style of merging the sweep of history with the crystalline detailing of individual lives, so that the shape of destiny is glimpsed through personal moments that feel at once evanescent and eternal. His lighting cameraman, Lajos Koltai, is one of the handful of cinematographers equal to capturing these moments in lapidary images--cinematic sunshine of the highest order. "Sunshine" is a literal translation of Sonnenschein, the family name of the central characters. And "destiny" is one meaning of Sors, the name three Sonnenschein offspring choose for themselves to better assimilate as subjects of the Austro-Hungarian empire. Two are brothers, Ignatz (Ralph Fiennes) and Gustave (James Frain); their sister (by adoption) Valerie (Jennifer Ehle) is really their cousin. Both men love her, and Ignatz rocks the ultratraditional family by taking her as his wife. Nevertheless, the Sonnenscheins and the Sors enter upon the 20th century in loving solidarity, grateful to live under a liberal and tolerant regime. That's all swept away by the Great War, the rise of Nazism, and its replacement, the new fascism of Stalinist Communism. Valerie survives them all--though she's played later on by Rosemary Harris, Ehle's own mother. For his part--or parts--Ralph Fiennes goes on to embody two later generations of Sonnenschein/Sors men, the proudly patriotic Adam and his son, the rudderless Ivan, whose guilt over being a compliant prisoner at Auschwitz leads him to buy into the passionate puritanism of the Stalinist purges. Fiennes rises to the awesome challenge of creating three utterly distinct characters who all share the same congenital weaknesses and aching potential for greatness. This is a film of considerable beauty and sometimes shattering power. Even three hours is not enough to do justice to all the characters, all the wrenching turnarounds of history and political allegiance and rectitude. But the film is never less than gripping, and as an essay on "family values," it's well-nigh definitive. --Richard T. Jameson
Money Talks 1997
Money Talks
Actors : Chris Tucker, Charlie Sheen, Heather Locklear, Gérard Ismaël, Paul Sorvino
They're getting the lowdown on the high price of living! Chris Tucker and Charlie Sheen star as two desperate men who discover that they need each other ... and that Money Talks Fast-talking con man Franklin Hatchett (Tucker) is wrongully accused of killing cops and needs protection from the police, the mob and his very pregnant girlfriend. Struggling television newsman James Russell (Sheen) needs a story. The two meet, and it's like a match to gasoline as they dodge bullets in a series of hair-raising escapes involving big diamonds, fast cars and a deadly game of hide-and-seek.
John Carpenter's Vampires
John Carpenter's Vampires
Actors : James Woods, Sheryl Lee, Daniel Baldwin, Thomas Ian Griffith, Maximillian Schell
In the blood-chilling tradition of Halloween and Village of the Damned comes John Carpenter's unique vision of the ultimate killing machines, VAMPIRES. "Forget everything you've ever heard about vampires," warns Jack Crow (James Woods), the leader of Team Crow, a relentless group of mercenary vampire slayers. When Master Vampire Valek (Thomas Ian Griffith) decimates Jack's entire team, Crow and the sole team survivor, Montoya (Daniel Baldwin), set out in pursuit. Breaking all the rules, Crow and Montoya take one of Valek's victims hostage. The beautiful but unlucky prostitute (Sheryl Lee) is their sole psychic link to Valek, and through her senses they will track down the leader of the undead. As Valek nears the climax of his 600-year search for the Berziers Cross, Jack and the new Team Crow do everything humanly possible to prevent him from possessing the only thing that can grant him and all vampires the omnipotent power to walk in the daylight.
Matrix 1999
The Matrix
Actors : Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Gloria Foster
Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks). --Jeremy Storey
Betty Blue
Betty Blue
Actors : Gérard Darmon, Consuelo de Havilland, Clémentine Célarié, Cl mentine C lari, Béatrice Dalle
When the easygoing would-be novelist Zorg (Jean-Hugues Anglade) meets the tempestuous Betty (Béatrice Dalle in a magnetic breakout performance) in a sunbaked French beach town, it’s the beginning of a whirlwind love affair that sees the pair turn their backs on conventional society in favor of the hedonistic pursuit of freedom, adventure, and carnal pleasure. But as the increasingly erratic Betty’s grip on reality begins to falter, Zorg finds himself willing to do things he never expected to protect both her fragile sanity and their tenuous existence. Adapted from the hit novel 37°2 le matin by Philippe Djian, Jean-Jacques Beineix’s art-house smash—presented here in its extended director’s cut—is a sexy, crazy, careening joyride of a romance that burns with the passion and beyond-all-reason fervor of all-consuming love.